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Freiburger Barockorchestra - Johann Sebastian Bach: Brandenburg Concertos No. 1-6 (BWV 1046-1051)
While functioning as Kapellmeister (Director of Music) to the court of Prince Leopold of Anhalt-Köthen (1694 - 1728) J. S. Bach presented in 1721 to Christian Ludwig Margrave of Brandenburg-Schwedt (1677 - 1734) the Baroque masterworks known as the "Brandenburg Concertos". This delightful performance of the orchestral works by the Freiburger Barockorchester conducted by Gottfried von der Goltz takes place in the Hall of Mirrors at the Palace of Cothen (Der Spiegelsaal im Schloss Köthen), where the great german composer himself served from 1717 to 1723.
From Wikipedia:
Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708--17). The ...
published: 13 Jan 2013
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W.A. Mozart: Sinfonie Nr. 25 g-Moll KV 183, 1. Satz | Freiburger Barockorchester | BR-KLASSIK
Das Freiburger Barockorchester spielt unter der Leitung von Konzertmeisterin Lorenza Borrani den 1. Satz (Allegro con brio) aus Wolfgang Amadeus Mozarts Sinfonie Nr. 25 g-Moll KV 183. Ein Mitschnitt vom Eröffnungskonzert des Mozartfest Würzburg 2019 aus dem Kaisersaal der Residenz.
Das gesamte Konzert / The complete concert: https://www.br-klassik.de/concert/ausstrahlung-1798414.html
Mehr zur Alten Musik auf BR-KLASSIK: https://www.br-klassik.de/themen/klassik-entdecken/alte-musik/index.html
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Freiburger Barockorchester
Das 1987 gegründete Freiburger Barockorchester besteht aus Musikerinnen und Musikern, die sich allesamt mit großer Leidenschaft der historisch informierten Aufführungspraxis widmen. Doch damit nicht genug! Die Mitglieder sind nicht nur das musikalische Gesicht...
published: 02 Jun 2023
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Corelli Christmas Concerto; Op.68 -- Freiburger Barockorchester
published: 24 Oct 2012
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#HearTogether: Freiburg Baroque & Kristian Bezuidenhout perform Beethoven's Piano Concertos 1-3
No matter where you are watching or listening from, we are #HearTogether. Music entertains, uplifts and inspires us. We need it now more than ever. So while our doors may be closed, the music continues online.
ABOUT THE CONCERT
Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.
View the program notes for this concert here: https://mrc-assets.s3.amazonaws.com/assets/File/10286.pdf
PROGRAM
Ludwig van Beethoven
Piano Concerto No.1 in C, Op.15
First movement 0:39
Second movement 15:34
Third movement 24:44
Piano ...
published: 18 Jul 2020
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Freiburger Barockorchester 2012: Zukunft Beethoven
Zukunft Beethoven | Sonntag, 21. Oktober 2012, 20 Uhr
Konzerthaus Freiburg, Rolf-Böhme-Saal
Ludwig van Beethoven (1770 – 1827)
Klavierkonzert Nr. 5 Es-Dur op. 73
für 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte, 2 Hörner,
2 Trompeten, Pauken und Streicher
Allegro
Adagio un poco moto
Rondo: Allegro ma non troppo
Sinfonie Nr. 5 c-Moll op. 67
für Piccoloflöte, 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte,
Kontrafagott, 2 Hörner, 2 Trompeten, 3 Posaunen, Pauken
und Streicher
Allegro con brio
Andante con moto
Allegro
Allegro
Anne Katharina Schreiber, Violine
Jean-Guihen Queyras, Violoncello
Kristian Bezuidenhout, Hammerklavier
Freiburger Barockorchester
Gottfried von der Goltz, Dirigent
published: 14 Jul 2016
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Elbphilharmonie LIVE | Bach: Matthäus-Passion mit dem Freiburger Barockorchester
Der Klassiker zu Ostern, gespielt von gleich zwei Spitzenensembles: Dem Freiburger Barockorchester und Vox Luminis unter der Leitung von Lionel Meunier. Mehr erfahren ➡️ https://elphi.me/Stream_Bach
// BESETZUNG
Freiburger Barockorchester
Vox Luminis
Hamburger Knabenchor
Zsuzsi Tóth | Sopran
Gwendoline Blondeel | Sopran
Alexander Chance | Alt
William Shelton | Countertenor
Raphael Höhn | Evangelist
Florian Sievers | Tenor
Raffaele Giordani | Tenor
Sebastian Myrus | Jesus
Felix Schwandtke | Bass
Lionel Meunier | Leitung
// PROGRAMM
Johann Sebastian Bach
Matthäus-Passion BWV 244
// ZUM KONZERT
Was wäre Ostern ohne die Matthäus-Passion? Jedes Jahr am Karfreitag wird Johann Sebastian Bachs barockes Mammutwerk unzählige Male aufgeführt: Ob Stadt oder Land, Laien oder Profis – die Begeist...
published: 05 Apr 2023
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FBO - Freiburger Barockorchester - Freiburg Baroque Orchestra
published: 31 Jul 2018
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Philippe Jaroussky & Freiburg Baroque Orchestra perform Bach for Carols4Cancer charity
Bach chorale: 'Brich an, oh schönes Morgenlicht', from the Christmas Oratorio (Weihnachtsoratorium) BWV 248, 2. Kantate.
If you enjoyed this video, donate to CAROLS4CANCER: http://www.justgiving.com/carols4cancer2015
Please be generous!
Thanks to soprano Carolyn Sampson for nominating the Freiburger Barockorchester for the Carols4Cancer Challenge. Here is our contribution to this very worthy cause with an extra special thank you to Philippe Jaroussky performing with us. Sorry we had to keep the Christmas tree wrapped up; it has now safely arrived at its final destination to bring some joy to a young family.
The Freiburger Barockorchester hereby nominates:
Sunhae Im
Jeremy Ovenden
Marlis Petersen
...and the agency Intermusica (not only can they organise a great concert; they also have hi...
published: 22 Dec 2015
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Baroque Christmas Concert with works by Bach, Handel and Mozart | Freiburg Baroque Orchestra
Experience the Christmas spirit and winter magic with music by Bach, Handel and Mozart in this baroque Christmas concert. Let yourself be enchanted by the Freiburg Cathedral Boys’ Choir, the Freiburg Baroque Orchestra and the brass ensemble German Brass in a live recording from Freiburg Cathedral from 1999. Highlights of the concert include Johann Sebastian Bach’s “Air”, arranged for wind instruments, George Friedrich Handel’s aria “He Shall Feed His Flock” and Wolfgang Amadeus Mozart’s aria “Et incarnatus est”.
(00:00) Ringing of bells
(00:13) Johann Sebastian Bach, Concerto in D-Major BWV 972, Allegro (Baroque Orchestra Freiburg)
(02:20) Johann Sebastian Bach Cantata “Unser Mund sei voll des Lachens” BWV 110, Aria“Wachet auf, ihr Adern und ihr Glieder”, (Matthias Goerne and Freiburg Bar...
published: 24 Dec 2023
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Conversation with the Freiburg Baroque Orchestra on Bach's Brandenburg Concertos
Gottfried von der Goltz, Freiburger Barockorchester, and members of the ensemble speak with Library staff about their work and performing Bach's Brandenburg Concertos.
For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6297
published: 18 Jul 2014
1:33:20
Freiburger Barockorchestra - Johann Sebastian Bach: Brandenburg Concertos No. 1-6 (BWV 1046-1051)
While functioning as Kapellmeister (Director of Music) to the court of Prince Leopold of Anhalt-Köthen (1694 - 1728) J. S. Bach presented in 1721 to Christian L...
While functioning as Kapellmeister (Director of Music) to the court of Prince Leopold of Anhalt-Köthen (1694 - 1728) J. S. Bach presented in 1721 to Christian Ludwig Margrave of Brandenburg-Schwedt (1677 - 1734) the Baroque masterworks known as the "Brandenburg Concertos". This delightful performance of the orchestral works by the Freiburger Barockorchester conducted by Gottfried von der Goltz takes place in the Hall of Mirrors at the Palace of Cothen (Der Spiegelsaal im Schloss Köthen), where the great german composer himself served from 1717 to 1723.
From Wikipedia:
Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708--17). The first sentence of Bach's dedication reads:
«As I had the good fortune a few years ago to be heard by Your Royal Highness, at Your Highness's commands, and as I noticed then that Your Highness took some pleasure in the little talents which Heaven has given me for Music, and as in taking Leave of Your Royal Highness, Your Highness deigned to honour me with the command to send Your Highness some pieces of my Composition: I have in accordance with Your Highness's most gracious orders taken the liberty of rendering my most humble duty to Your Royal Highness with the present Concertos, which I have adapted to several instruments; begging Your Highness most humbly not to judge their imperfection with the rigor of that discriminating and sensitive taste, which everyone knows Him to have for musical works, but rather to take into benign Consideration the profound respect and the most humble obedience which I thus attempt to show Him.»
The dedication page Bach wrote for the collection indicates they are "Concerts avec plusieurs instruments" (Concertos with several instruments). Bach used the «widest spectrum of orchestral instruments [...] in daring combinations», as Christoph Wolff has commented (Christoph Wolff, "Johann Sebastian Bach: The Learned Musician" (WW Norton, New York, 2000). «Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel». Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen (Besseler's preface to the "Neue Bach-Ausgabe" edition of the Brandenburg Concertos is reprinted with a translation in "Bärenreiter's Study Score of the Six Brandenburg Concertos", Bärenreiter TP9, 1988).
Because King Frederick William I of Prussia (1688 - 1740) was not a significant patron of the arts, Christian Ludwig seems to have lacked the musicians in his Berlin ensemble to perform the concertos. The full score was left unused in the Margrave's library until his death in 1734, when it was sold for 24 groschen (as of 2008, about US$22.00) of silver. The autograph manuscript of the concertos was only rediscovered in the archives of Brandenburg by Siegfried Wilhelm Dehn in 1849; the concertos were first published in the following year. [Malcolm Boyd, Bach: The Brandenburg Concertos (Cambridge UP, 1993)]
https://wn.com/Freiburger_Barockorchestra_Johann_Sebastian_Bach_Brandenburg_Concertos_No._1_6_(Bwv_1046_1051)
While functioning as Kapellmeister (Director of Music) to the court of Prince Leopold of Anhalt-Köthen (1694 - 1728) J. S. Bach presented in 1721 to Christian Ludwig Margrave of Brandenburg-Schwedt (1677 - 1734) the Baroque masterworks known as the "Brandenburg Concertos". This delightful performance of the orchestral works by the Freiburger Barockorchester conducted by Gottfried von der Goltz takes place in the Hall of Mirrors at the Palace of Cothen (Der Spiegelsaal im Schloss Köthen), where the great german composer himself served from 1717 to 1723.
From Wikipedia:
Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708--17). The first sentence of Bach's dedication reads:
«As I had the good fortune a few years ago to be heard by Your Royal Highness, at Your Highness's commands, and as I noticed then that Your Highness took some pleasure in the little talents which Heaven has given me for Music, and as in taking Leave of Your Royal Highness, Your Highness deigned to honour me with the command to send Your Highness some pieces of my Composition: I have in accordance with Your Highness's most gracious orders taken the liberty of rendering my most humble duty to Your Royal Highness with the present Concertos, which I have adapted to several instruments; begging Your Highness most humbly not to judge their imperfection with the rigor of that discriminating and sensitive taste, which everyone knows Him to have for musical works, but rather to take into benign Consideration the profound respect and the most humble obedience which I thus attempt to show Him.»
The dedication page Bach wrote for the collection indicates they are "Concerts avec plusieurs instruments" (Concertos with several instruments). Bach used the «widest spectrum of orchestral instruments [...] in daring combinations», as Christoph Wolff has commented (Christoph Wolff, "Johann Sebastian Bach: The Learned Musician" (WW Norton, New York, 2000). «Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel». Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen (Besseler's preface to the "Neue Bach-Ausgabe" edition of the Brandenburg Concertos is reprinted with a translation in "Bärenreiter's Study Score of the Six Brandenburg Concertos", Bärenreiter TP9, 1988).
Because King Frederick William I of Prussia (1688 - 1740) was not a significant patron of the arts, Christian Ludwig seems to have lacked the musicians in his Berlin ensemble to perform the concertos. The full score was left unused in the Margrave's library until his death in 1734, when it was sold for 24 groschen (as of 2008, about US$22.00) of silver. The autograph manuscript of the concertos was only rediscovered in the archives of Brandenburg by Siegfried Wilhelm Dehn in 1849; the concertos were first published in the following year. [Malcolm Boyd, Bach: The Brandenburg Concertos (Cambridge UP, 1993)]
- published: 13 Jan 2013
- views: 772510
7:31
W.A. Mozart: Sinfonie Nr. 25 g-Moll KV 183, 1. Satz | Freiburger Barockorchester | BR-KLASSIK
Das Freiburger Barockorchester spielt unter der Leitung von Konzertmeisterin Lorenza Borrani den 1. Satz (Allegro con brio) aus Wolfgang Amadeus Mozarts Sinfoni...
Das Freiburger Barockorchester spielt unter der Leitung von Konzertmeisterin Lorenza Borrani den 1. Satz (Allegro con brio) aus Wolfgang Amadeus Mozarts Sinfonie Nr. 25 g-Moll KV 183. Ein Mitschnitt vom Eröffnungskonzert des Mozartfest Würzburg 2019 aus dem Kaisersaal der Residenz.
Das gesamte Konzert / The complete concert: https://www.br-klassik.de/concert/ausstrahlung-1798414.html
Mehr zur Alten Musik auf BR-KLASSIK: https://www.br-klassik.de/themen/klassik-entdecken/alte-musik/index.html
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Freiburger Barockorchester
Das 1987 gegründete Freiburger Barockorchester besteht aus Musikerinnen und Musikern, die sich allesamt mit großer Leidenschaft der historisch informierten Aufführungspraxis widmen. Doch damit nicht genug! Die Mitglieder sind nicht nur das musikalische Gesicht des Orchesters, sondern auch das unternehmerische. Als Gesellschafterinnen und Gesellschafter verantworten sie auch die finanziellen und organisatorischen Belange des Ensembles.
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BR-KLASSIK im Netz:
► Facebook: https://www.facebook.com/brklassik/
► Twitter: https://www.twitter.com/br_klassik
► Instagram: https://www.instagram.com/brklassik
► Homepage: https://www.br-klassik.de
https://wn.com/W.A._Mozart_Sinfonie_Nr._25_G_Moll_Kv_183,_1._Satz_|_Freiburger_Barockorchester_|_Br_Klassik
Das Freiburger Barockorchester spielt unter der Leitung von Konzertmeisterin Lorenza Borrani den 1. Satz (Allegro con brio) aus Wolfgang Amadeus Mozarts Sinfonie Nr. 25 g-Moll KV 183. Ein Mitschnitt vom Eröffnungskonzert des Mozartfest Würzburg 2019 aus dem Kaisersaal der Residenz.
Das gesamte Konzert / The complete concert: https://www.br-klassik.de/concert/ausstrahlung-1798414.html
Mehr zur Alten Musik auf BR-KLASSIK: https://www.br-klassik.de/themen/klassik-entdecken/alte-musik/index.html
----------
Freiburger Barockorchester
Das 1987 gegründete Freiburger Barockorchester besteht aus Musikerinnen und Musikern, die sich allesamt mit großer Leidenschaft der historisch informierten Aufführungspraxis widmen. Doch damit nicht genug! Die Mitglieder sind nicht nur das musikalische Gesicht des Orchesters, sondern auch das unternehmerische. Als Gesellschafterinnen und Gesellschafter verantworten sie auch die finanziellen und organisatorischen Belange des Ensembles.
----------
BR-KLASSIK im Netz:
► Facebook: https://www.facebook.com/brklassik/
► Twitter: https://www.twitter.com/br_klassik
► Instagram: https://www.instagram.com/brklassik
► Homepage: https://www.br-klassik.de
- published: 02 Jun 2023
- views: 5717
1:54:59
#HearTogether: Freiburg Baroque & Kristian Bezuidenhout perform Beethoven's Piano Concertos 1-3
No matter where you are watching or listening from, we are #HearTogether. Music entertains, uplifts and inspires us. We need it now more than ever. So while our...
No matter where you are watching or listening from, we are #HearTogether. Music entertains, uplifts and inspires us. We need it now more than ever. So while our doors may be closed, the music continues online.
ABOUT THE CONCERT
Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.
View the program notes for this concert here: https://mrc-assets.s3.amazonaws.com/assets/File/10286.pdf
PROGRAM
Ludwig van Beethoven
Piano Concerto No.1 in C, Op.15
First movement 0:39
Second movement 15:34
Third movement 24:44
Piano Concerto No.2 in B flat, Op.19
First movement 37:17
Second movement 50:55
Third movement 58:37
Piano Concerto No.3 in C minor, Op.37
First movement 1:08:41
Second movement 1:25:04
Third movement 1:33:50
https://wn.com/Heartogether_Freiburg_Baroque_Kristian_Bezuidenhout_Perform_Beethoven's_Piano_Concertos_1_3
No matter where you are watching or listening from, we are #HearTogether. Music entertains, uplifts and inspires us. We need it now more than ever. So while our doors may be closed, the music continues online.
ABOUT THE CONCERT
Performed live in March this year, shortly before the Centre had to close the its doors due to coronavirus, our Signature Event saw standing ovations for the players of Freiburg Baroque, Bezuidenhout and their masterful interpretations of Beethoven. Now you can relieve this performance online or enjoy it for the very first time.
View the program notes for this concert here: https://mrc-assets.s3.amazonaws.com/assets/File/10286.pdf
PROGRAM
Ludwig van Beethoven
Piano Concerto No.1 in C, Op.15
First movement 0:39
Second movement 15:34
Third movement 24:44
Piano Concerto No.2 in B flat, Op.19
First movement 37:17
Second movement 50:55
Third movement 58:37
Piano Concerto No.3 in C minor, Op.37
First movement 1:08:41
Second movement 1:25:04
Third movement 1:33:50
- published: 18 Jul 2020
- views: 28525
1:08:54
Freiburger Barockorchester 2012: Zukunft Beethoven
Zukunft Beethoven | Sonntag, 21. Oktober 2012, 20 Uhr
Konzerthaus Freiburg, Rolf-Böhme-Saal
Ludwig van Beethoven (1770 – 1827)
Klavierkonzert Nr. 5 Es-Dur op....
Zukunft Beethoven | Sonntag, 21. Oktober 2012, 20 Uhr
Konzerthaus Freiburg, Rolf-Böhme-Saal
Ludwig van Beethoven (1770 – 1827)
Klavierkonzert Nr. 5 Es-Dur op. 73
für 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte, 2 Hörner,
2 Trompeten, Pauken und Streicher
Allegro
Adagio un poco moto
Rondo: Allegro ma non troppo
Sinfonie Nr. 5 c-Moll op. 67
für Piccoloflöte, 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte,
Kontrafagott, 2 Hörner, 2 Trompeten, 3 Posaunen, Pauken
und Streicher
Allegro con brio
Andante con moto
Allegro
Allegro
Anne Katharina Schreiber, Violine
Jean-Guihen Queyras, Violoncello
Kristian Bezuidenhout, Hammerklavier
Freiburger Barockorchester
Gottfried von der Goltz, Dirigent
https://wn.com/Freiburger_Barockorchester_2012_Zukunft_Beethoven
Zukunft Beethoven | Sonntag, 21. Oktober 2012, 20 Uhr
Konzerthaus Freiburg, Rolf-Böhme-Saal
Ludwig van Beethoven (1770 – 1827)
Klavierkonzert Nr. 5 Es-Dur op. 73
für 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte, 2 Hörner,
2 Trompeten, Pauken und Streicher
Allegro
Adagio un poco moto
Rondo: Allegro ma non troppo
Sinfonie Nr. 5 c-Moll op. 67
für Piccoloflöte, 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte,
Kontrafagott, 2 Hörner, 2 Trompeten, 3 Posaunen, Pauken
und Streicher
Allegro con brio
Andante con moto
Allegro
Allegro
Anne Katharina Schreiber, Violine
Jean-Guihen Queyras, Violoncello
Kristian Bezuidenhout, Hammerklavier
Freiburger Barockorchester
Gottfried von der Goltz, Dirigent
- published: 14 Jul 2016
- views: 36813
2:55:16
Elbphilharmonie LIVE | Bach: Matthäus-Passion mit dem Freiburger Barockorchester
Der Klassiker zu Ostern, gespielt von gleich zwei Spitzenensembles: Dem Freiburger Barockorchester und Vox Luminis unter der Leitung von Lionel Meunier. Mehr er...
Der Klassiker zu Ostern, gespielt von gleich zwei Spitzenensembles: Dem Freiburger Barockorchester und Vox Luminis unter der Leitung von Lionel Meunier. Mehr erfahren ➡️ https://elphi.me/Stream_Bach
// BESETZUNG
Freiburger Barockorchester
Vox Luminis
Hamburger Knabenchor
Zsuzsi Tóth | Sopran
Gwendoline Blondeel | Sopran
Alexander Chance | Alt
William Shelton | Countertenor
Raphael Höhn | Evangelist
Florian Sievers | Tenor
Raffaele Giordani | Tenor
Sebastian Myrus | Jesus
Felix Schwandtke | Bass
Lionel Meunier | Leitung
// PROGRAMM
Johann Sebastian Bach
Matthäus-Passion BWV 244
// ZUM KONZERT
Was wäre Ostern ohne die Matthäus-Passion? Jedes Jahr am Karfreitag wird Johann Sebastian Bachs barockes Mammutwerk unzählige Male aufgeführt: Ob Stadt oder Land, Laien oder Profis – die Begeisterung für die Musik überwiegt bei Weitem die Scheu vor der Länge und riesenhaften Besetzung des Oratoriums. Und riesenhaft besetzt ist das Werk allemal: Gleich zwei Chöre und zwei Orchester verlangt der Thomaskantor für eine Aufführung, dazu eine Reihe von Solisten.
Und auch die Dauer ist mit rund drei Stunden mehr als üppig bemessen. Doch drei Stunden fantastischer Musik lässt man sich natürlich gern gefallen – insbesondere, wenn die Besetzung so hochkarätig ist wie beim Konzert in der Elbphilharmonie: Mit dem Freiburger Barockorchester und Vox Luminis sind hier gleich zwei Spitzenensembles mit Schwerpunkt auf barocker Musik zu hören.
Die Leitung liegt in den Händen von Vox-Luminis-Gründer Lionel Meunier, international gefragter Dirigent und weltweit bekannt für seine lebendigen und historisch akkuraten Interpretationen barocker Werke. Ein erstklassiges Solistenensemble, angeführt von Tenor Raphael Höhn als Evangelist, rundet die herausragende Besetzung ab. Ostern kann also kommen!
#ElbphilharmonieStreams #Hamburg #Matthäus-passion #bach #elbphilharmonie
–––––––––––
ELBPHILHARMONIE HAMBURG
In der Elbphilharmonie verbinden sich Architektur und Musik zu einem unvergleichlichen Gesamterlebnis. 2017 eröffnet, ist sie eines der international gefragtesten Konzerthäuser und begeistert mit ihrem vielseitigen Programm, ihrer ausgezeichneten Akustik und zahlreichen Mitmach-Angeboten ein breites Publikum. Das Gebäude, das mitten im Strom der Elbe aus einem alten Lagerhaus entstanden ist, wurde vom Schweizer Architekturbüro Herzog & de Meuron entworfen. Als Wahrzeichen der Stadt Hamburg zieht es jährlich Millionen Besucher aus aller Welt an.
__
IN KONTAKT BLEIBEN
📱Facebook: https://fb.me/elbphilharmoniehamburg
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📱Instagram: https://www.instagram.com/elbphilharmonie
📱TikTok: https://www.tiktok.com/@elbphilharmoniehamburg
🔎Google Arts & Culture: http://g.co/elbphilharmonie
📝Elbphilharmonie Mediathek: https://www.elbphilharmonie.de/de/mediathek
___
https://www.elbphilharmonie.de
https://wn.com/Elbphilharmonie_Live_|_Bach_Matthäus_Passion_Mit_Dem_Freiburger_Barockorchester
Der Klassiker zu Ostern, gespielt von gleich zwei Spitzenensembles: Dem Freiburger Barockorchester und Vox Luminis unter der Leitung von Lionel Meunier. Mehr erfahren ➡️ https://elphi.me/Stream_Bach
// BESETZUNG
Freiburger Barockorchester
Vox Luminis
Hamburger Knabenchor
Zsuzsi Tóth | Sopran
Gwendoline Blondeel | Sopran
Alexander Chance | Alt
William Shelton | Countertenor
Raphael Höhn | Evangelist
Florian Sievers | Tenor
Raffaele Giordani | Tenor
Sebastian Myrus | Jesus
Felix Schwandtke | Bass
Lionel Meunier | Leitung
// PROGRAMM
Johann Sebastian Bach
Matthäus-Passion BWV 244
// ZUM KONZERT
Was wäre Ostern ohne die Matthäus-Passion? Jedes Jahr am Karfreitag wird Johann Sebastian Bachs barockes Mammutwerk unzählige Male aufgeführt: Ob Stadt oder Land, Laien oder Profis – die Begeisterung für die Musik überwiegt bei Weitem die Scheu vor der Länge und riesenhaften Besetzung des Oratoriums. Und riesenhaft besetzt ist das Werk allemal: Gleich zwei Chöre und zwei Orchester verlangt der Thomaskantor für eine Aufführung, dazu eine Reihe von Solisten.
Und auch die Dauer ist mit rund drei Stunden mehr als üppig bemessen. Doch drei Stunden fantastischer Musik lässt man sich natürlich gern gefallen – insbesondere, wenn die Besetzung so hochkarätig ist wie beim Konzert in der Elbphilharmonie: Mit dem Freiburger Barockorchester und Vox Luminis sind hier gleich zwei Spitzenensembles mit Schwerpunkt auf barocker Musik zu hören.
Die Leitung liegt in den Händen von Vox-Luminis-Gründer Lionel Meunier, international gefragter Dirigent und weltweit bekannt für seine lebendigen und historisch akkuraten Interpretationen barocker Werke. Ein erstklassiges Solistenensemble, angeführt von Tenor Raphael Höhn als Evangelist, rundet die herausragende Besetzung ab. Ostern kann also kommen!
#ElbphilharmonieStreams #Hamburg #Matthäus-passion #bach #elbphilharmonie
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ELBPHILHARMONIE HAMBURG
In der Elbphilharmonie verbinden sich Architektur und Musik zu einem unvergleichlichen Gesamterlebnis. 2017 eröffnet, ist sie eines der international gefragtesten Konzerthäuser und begeistert mit ihrem vielseitigen Programm, ihrer ausgezeichneten Akustik und zahlreichen Mitmach-Angeboten ein breites Publikum. Das Gebäude, das mitten im Strom der Elbe aus einem alten Lagerhaus entstanden ist, wurde vom Schweizer Architekturbüro Herzog & de Meuron entworfen. Als Wahrzeichen der Stadt Hamburg zieht es jährlich Millionen Besucher aus aller Welt an.
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IN KONTAKT BLEIBEN
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📱Instagram: https://www.instagram.com/elbphilharmonie
📱TikTok: https://www.tiktok.com/@elbphilharmoniehamburg
🔎Google Arts & Culture: http://g.co/elbphilharmonie
📝Elbphilharmonie Mediathek: https://www.elbphilharmonie.de/de/mediathek
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https://www.elbphilharmonie.de
- published: 05 Apr 2023
- views: 175509
2:12
Philippe Jaroussky & Freiburg Baroque Orchestra perform Bach for Carols4Cancer charity
Bach chorale: 'Brich an, oh schönes Morgenlicht', from the Christmas Oratorio (Weihnachtsoratorium) BWV 248, 2. Kantate.
If you enjoyed this video, donate to CA...
Bach chorale: 'Brich an, oh schönes Morgenlicht', from the Christmas Oratorio (Weihnachtsoratorium) BWV 248, 2. Kantate.
If you enjoyed this video, donate to CAROLS4CANCER: http://www.justgiving.com/carols4cancer2015
Please be generous!
Thanks to soprano Carolyn Sampson for nominating the Freiburger Barockorchester for the Carols4Cancer Challenge. Here is our contribution to this very worthy cause with an extra special thank you to Philippe Jaroussky performing with us. Sorry we had to keep the Christmas tree wrapped up; it has now safely arrived at its final destination to bring some joy to a young family.
The Freiburger Barockorchester hereby nominates:
Sunhae Im
Jeremy Ovenden
Marlis Petersen
...and the agency Intermusica (not only can they organise a great concert; they also have hidden musical talents!)
Good health is one of our greatest gifts in life!
We wish you all a very special Christmas!
Video credits:
Etienne Collard, producer
Michel Pierre, sound engineer
Guillaume L’Hôte, camera
Freiburger Barockorchester: http://www.barockorchester.de
__________
Warner Classics
► Website: http://www.warnerclassics.com
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► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Philippe_Jaroussky_Freiburg_Baroque_Orchestra_Perform_Bach_For_Carols4Cancer_Charity
Bach chorale: 'Brich an, oh schönes Morgenlicht', from the Christmas Oratorio (Weihnachtsoratorium) BWV 248, 2. Kantate.
If you enjoyed this video, donate to CAROLS4CANCER: http://www.justgiving.com/carols4cancer2015
Please be generous!
Thanks to soprano Carolyn Sampson for nominating the Freiburger Barockorchester for the Carols4Cancer Challenge. Here is our contribution to this very worthy cause with an extra special thank you to Philippe Jaroussky performing with us. Sorry we had to keep the Christmas tree wrapped up; it has now safely arrived at its final destination to bring some joy to a young family.
The Freiburger Barockorchester hereby nominates:
Sunhae Im
Jeremy Ovenden
Marlis Petersen
...and the agency Intermusica (not only can they organise a great concert; they also have hidden musical talents!)
Good health is one of our greatest gifts in life!
We wish you all a very special Christmas!
Video credits:
Etienne Collard, producer
Michel Pierre, sound engineer
Guillaume L’Hôte, camera
Freiburger Barockorchester: http://www.barockorchester.de
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: https://www.youtube.com/warnerclassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 22 Dec 2015
- views: 11901
59:04
Baroque Christmas Concert with works by Bach, Handel and Mozart | Freiburg Baroque Orchestra
Experience the Christmas spirit and winter magic with music by Bach, Handel and Mozart in this baroque Christmas concert. Let yourself be enchanted by the Freib...
Experience the Christmas spirit and winter magic with music by Bach, Handel and Mozart in this baroque Christmas concert. Let yourself be enchanted by the Freiburg Cathedral Boys’ Choir, the Freiburg Baroque Orchestra and the brass ensemble German Brass in a live recording from Freiburg Cathedral from 1999. Highlights of the concert include Johann Sebastian Bach’s “Air”, arranged for wind instruments, George Friedrich Handel’s aria “He Shall Feed His Flock” and Wolfgang Amadeus Mozart’s aria “Et incarnatus est”.
(00:00) Ringing of bells
(00:13) Johann Sebastian Bach, Concerto in D-Major BWV 972, Allegro (Baroque Orchestra Freiburg)
(02:20) Johann Sebastian Bach Cantata “Unser Mund sei voll des Lachens” BWV 110, Aria“Wachet auf, ihr Adern und ihr Glieder”, (Matthias Goerne and Freiburg Baroque Orchestra)
(06:22) Johann Sebastian, Christmas Oratorio BWV 248, Chorus “Nun seid ihr wohl gerochen” (arranged for wind instruments, German Brass)
(09:34) Wolfgang Amadeus Mozart, Mass in C-minor KV 427, Aria “Et incarnatus est” (Barbara Bonney, Freiburg Baroque Orchestra)
(17:39) Johann Sebastian Bach, Christmas Oratorio BWV 248, Sinfonia (Freiburg Baroque Orchestra)
(23:29) Johann Sebastian Bach, Christmas Oratorio BWV 248, Chorus “Ehre sei dir, Gott gesungen” (arranged for wind instruments, German Brass)
(27:35) Johann Sebastian Bach, Christmas Oratorio BWV 248, Aria “Herr, dein Mitleid, dein Erbarmen” (Barbara Bonney, Matthias Goerne and Freiburg Baroque Orchestra)
(35:07) Je me suis levé (The Freiburg Cathedral Boys’ Choir and Spielleyt)
(37:54) In dulce Jubilo (The Freiburg Cathedral Boys’ Choir)
(42:34) Johann Sebastian Bach, Christmas Oratorio, BWV 248, Aria “Grosser Herr, o starker König” (Matthias Goerne and Freiburg Baroque Orchestra)
(47:27) George Frideric Handel, Messiah, Aria “He shall feed his flock” (Barbara Bonney and Freiburg Baroque Orchestra)
(53:54) Johann Sebastian Bach, Suite in D-Major, BWV 1068, “Air” (arranged for wind instruments, German Brass)
Barbara Bonney | SOPRANO
Matthias Goerne | BARITONE
German Brass
The Freiburg Cathedrals Boys’ Choir
Barockorchester Freiburg
Gottfried von der Goltz | CONCERTMASTER
With its ringing of bells and snowy landscapes, this concert will get you into the festive mood for the Christmas season. And what would Christmas be without Johann Sebastian Bach’s Christmas Oratorio? The Christmas Oratorio is without a doubt one of Bach’s most famous choral works. It tells the story of Jesus’ birth and adoration. You can hear some of the most beautiful arias, sung by baritone Matthias Goerne and soprano Barbara Bonney, as well as chorales played instrumentally by “German Brass”, an ensemble that has specialized in interpreting Bach’s music on brass instruments for 40 years.
Hearts soar when the Frankfurt Cathedral Singers perform the old French Christmas carol “Je me suis levé” and the 14th century hymn “In dulce Jubilo”, accompanied by the folk instruments and bagpipes of the ensemble “Spielleyt” (“minstrels”).
And how does Mozart’s aria “Et incarnatus est” from his “Great Mass” in C minor KV 427 fit into this concert? Mozart may not be a Baroque composer, but when he wrote this mass in 1782, and unfortunately left it unfinished, he was looking at works by Johann Sebastian Bach and George Friedrich Handel’s Messiah. Both Bach and Handel strongly influenced Mozart in writing his C minor Mass.
The American soprano Barbara Bonney sings the aria “Er weidet seine Herde” (He shall feed his flock) from Handel’s Messiah. The form of the aria is based on an old Italian dance, the “Siciliano”. It praises the Messiah, who was to bring peace to the earth.
© 1999 EuroArts
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
in our Bach playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBUIGIm71zRFbYPJMQ-ETiMT
and in our Mozart playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBVMUV5tqlgIMa-NdrBs5qum
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#christmasconcert #baroquemusic #oratorio
https://wn.com/Baroque_Christmas_Concert_With_Works_By_Bach,_Handel_And_Mozart_|_Freiburg_Baroque_Orchestra
Experience the Christmas spirit and winter magic with music by Bach, Handel and Mozart in this baroque Christmas concert. Let yourself be enchanted by the Freiburg Cathedral Boys’ Choir, the Freiburg Baroque Orchestra and the brass ensemble German Brass in a live recording from Freiburg Cathedral from 1999. Highlights of the concert include Johann Sebastian Bach’s “Air”, arranged for wind instruments, George Friedrich Handel’s aria “He Shall Feed His Flock” and Wolfgang Amadeus Mozart’s aria “Et incarnatus est”.
(00:00) Ringing of bells
(00:13) Johann Sebastian Bach, Concerto in D-Major BWV 972, Allegro (Baroque Orchestra Freiburg)
(02:20) Johann Sebastian Bach Cantata “Unser Mund sei voll des Lachens” BWV 110, Aria“Wachet auf, ihr Adern und ihr Glieder”, (Matthias Goerne and Freiburg Baroque Orchestra)
(06:22) Johann Sebastian, Christmas Oratorio BWV 248, Chorus “Nun seid ihr wohl gerochen” (arranged for wind instruments, German Brass)
(09:34) Wolfgang Amadeus Mozart, Mass in C-minor KV 427, Aria “Et incarnatus est” (Barbara Bonney, Freiburg Baroque Orchestra)
(17:39) Johann Sebastian Bach, Christmas Oratorio BWV 248, Sinfonia (Freiburg Baroque Orchestra)
(23:29) Johann Sebastian Bach, Christmas Oratorio BWV 248, Chorus “Ehre sei dir, Gott gesungen” (arranged for wind instruments, German Brass)
(27:35) Johann Sebastian Bach, Christmas Oratorio BWV 248, Aria “Herr, dein Mitleid, dein Erbarmen” (Barbara Bonney, Matthias Goerne and Freiburg Baroque Orchestra)
(35:07) Je me suis levé (The Freiburg Cathedral Boys’ Choir and Spielleyt)
(37:54) In dulce Jubilo (The Freiburg Cathedral Boys’ Choir)
(42:34) Johann Sebastian Bach, Christmas Oratorio, BWV 248, Aria “Grosser Herr, o starker König” (Matthias Goerne and Freiburg Baroque Orchestra)
(47:27) George Frideric Handel, Messiah, Aria “He shall feed his flock” (Barbara Bonney and Freiburg Baroque Orchestra)
(53:54) Johann Sebastian Bach, Suite in D-Major, BWV 1068, “Air” (arranged for wind instruments, German Brass)
Barbara Bonney | SOPRANO
Matthias Goerne | BARITONE
German Brass
The Freiburg Cathedrals Boys’ Choir
Barockorchester Freiburg
Gottfried von der Goltz | CONCERTMASTER
With its ringing of bells and snowy landscapes, this concert will get you into the festive mood for the Christmas season. And what would Christmas be without Johann Sebastian Bach’s Christmas Oratorio? The Christmas Oratorio is without a doubt one of Bach’s most famous choral works. It tells the story of Jesus’ birth and adoration. You can hear some of the most beautiful arias, sung by baritone Matthias Goerne and soprano Barbara Bonney, as well as chorales played instrumentally by “German Brass”, an ensemble that has specialized in interpreting Bach’s music on brass instruments for 40 years.
Hearts soar when the Frankfurt Cathedral Singers perform the old French Christmas carol “Je me suis levé” and the 14th century hymn “In dulce Jubilo”, accompanied by the folk instruments and bagpipes of the ensemble “Spielleyt” (“minstrels”).
And how does Mozart’s aria “Et incarnatus est” from his “Great Mass” in C minor KV 427 fit into this concert? Mozart may not be a Baroque composer, but when he wrote this mass in 1782, and unfortunately left it unfinished, he was looking at works by Johann Sebastian Bach and George Friedrich Handel’s Messiah. Both Bach and Handel strongly influenced Mozart in writing his C minor Mass.
The American soprano Barbara Bonney sings the aria “Er weidet seine Herde” (He shall feed his flock) from Handel’s Messiah. The form of the aria is based on an old Italian dance, the “Siciliano”. It praises the Messiah, who was to bring peace to the earth.
© 1999 EuroArts
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
in our Bach playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBUIGIm71zRFbYPJMQ-ETiMT
and in our Mozart playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBVMUV5tqlgIMa-NdrBs5qum
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#christmasconcert #baroquemusic #oratorio
- published: 24 Dec 2023
- views: 172835
34:08
Conversation with the Freiburg Baroque Orchestra on Bach's Brandenburg Concertos
Gottfried von der Goltz, Freiburger Barockorchester, and members of the ensemble speak with Library staff about their work and performing Bach's Brandenburg Con...
Gottfried von der Goltz, Freiburger Barockorchester, and members of the ensemble speak with Library staff about their work and performing Bach's Brandenburg Concertos.
For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6297
https://wn.com/Conversation_With_The_Freiburg_Baroque_Orchestra_On_Bach's_Brandenburg_Concertos
Gottfried von der Goltz, Freiburger Barockorchester, and members of the ensemble speak with Library staff about their work and performing Bach's Brandenburg Concertos.
For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6297
- published: 18 Jul 2014
- views: 4207